Song of the Week II

I posted Greg Scheer’s “A Mark of Grace” earlier because I admire what he accomplished in that song, but it’s far from the only new song I learned at the Worship Symposium last week; there were several, of which my favorite is this one, which is still stuck fast in my head from last Thursday morning:

Creation Sings

Creation sings the Father’s song;
He calls the sun to wake the dawn
And run the course of day
Till evening falls in crimson rays.
His fingerprints in flakes of snow,
His breath upon this spinning globe,
He charts the eagle’s flight;
Commands the newborn baby’s cry.

Chorus:
Hallelujah! Let all creation stand and sing,
“Hallelujah!” Fill the earth with songs of worship;
Tell the wonders of creation’s King.

Creation gazed upon His face;
The ageless One in time’s embrace
Unveiled the Father’s plan
Of reconciling God and man.
A second Adam walked the earth,
Whose blameless life would break the curse,
Whose death would set us free
To live with Him eternally.

Chorus

Creation longs for His return,
When Christ shall reign upon the earth;
The bitter wars that rage
Are birth pains of a coming age.
When He renews the land and sky,
All heav’n will sing and earth reply
With one resplendent theme: The glories of our God and King!

Chorus

Words and music: Keith Getty, Kristyn Getty, and Stuart Townend
© 2008 Thankyou Music
Recorded on the album
Awaken the Dawn, by Keith and Kristyn Getty

Making an idol of autonomy

I first ran across this video and this song in a post on The Thinklings (which I can’t find now, not remembering the text of the post), and mercifully quickly forgot it. I happened, through a combination of circumstances, to hear it again last week, and now I have it stuck in my head. It’s aggravating, because this song annoys me from about every angle possible. It’s sappy and saccharine, for one thing, lyrically bad and musically sickly. It’s tendentious and presumptuous, in claiming “thus says the Lord” for a disputed theological position (I probably wouldn’t be quite as irritated were some idiot Calvinist to do the same in reverse, but it would be mighty close; that’s just inappropriate no matter who does it). It fails to take human sin seriously, portraying it as something we can simply choose not to do. (To some extent, that could be said to be true of Arminianism more generally, but this sort of naïvete about sin goes beyond Arminianism into the realm of caricature.)

And most significantly, because the author of this thing had the gall to write it as something spoken by God, its sickly-sweet sappiness is more than just an artistic failing, it’s a theological problem. This song abases God, portraying him as a moony lovesick teenager (with all the artistic capabilities and instincts pertaining thereunto), for the sake of feeding our own sense of self-importance. Even if I were an Arminian, this would drive me bats. We must be zealous for the glory and holiness of God; don’t trust anyone who isn’t. A God who is at our beck and call as this song portrays is a God made in our own image, to suit and serve our own desires . . . which is to say, a false god.

Anything that is not the gospel of salvation by grace alone through faith alone in Jesus Christ alone can become an idol.

Give me a home among the gum trees

One of my enduring memories of Regent is one Fall Retreat (my first year there, I think), seeing the school’s entire Australian contingent, led by our utterly irrepressible Australian Pentecostal NT professor Dr. Rikki Watts, perform the song “Home Among the Gum Trees”—as a sort of chorus line, no less. I’ve had that rattling around in my brain today for some reason, and decided to post it. It says a lot about Australia and its people that this performance was from the memorial service for Steve Irwin, the Crocodile Hunter, who I’m sure would have mightily approved.

The uncomfortable open-mindedness of Penn Jillette

This is another remarkable video by Penn Jillette, who is I think one of the most remarkable figures of our time, musing over an occasion on which he was raked over the coals by Tommy Smothers.

(Update: At some point between October 2009 and October 2015, Penn took that video private.  The video below is of the occasion of Smothers’ verbal assault.)

The Anchoress, writing about Penn’s video, had some things to say that bear consideration. I particularly appreciated this:

Unchecked capitalism does have its drawbacks; it often so enthralls the capitalist with the material that he forgets the world around him, and lives an increasingly insular—and insulated—life.

But it is not only the greedy capitalist who can become insulated; the ideologue who will only speak with like-minded people is in the same walled-off compound, where it becomes easy to see label someone whose ideas are different than yours as “evil” and “lesser;” to ignore human commonalities in the quest to not simply disagree, but to destroy the other.

In a way, it’s a little like an extreme Islamist cutting out the tongue of the heretic, in order to silence his dissent. They fear allowing another point of view, because it threatens to unsettle; it might persuade others away from the fold. It is a threat to power, control and illusory “peace.” It does not submit. . . .

We see that behavior, of course, on both sides. My email has as many people telling me that this politician or that is “evil” from the right as people telling me I am evil, from the left. . . .

But what is interesting about these Jillette videos is that he seems determined not to be insulated in his life. He will meet with anyone, talk to anyone—engage in a respectful exchange of ideas. When I was being raised by blue-collar, union-loving Democrats, this is what I was taught was “liberal” behavior: a willingness to hear all sides, be respectful and open-minded.

And that would seem to be precisely the opposite of what Tommy Smothers was advocating to Jillette. For that matter, I cannot help but find an irony, there. Smothers was furious that Jillette would talk to “the enemy,” Glenn Beck, but he (and the left) were furious when President Bush would not talk to Iran. All Jillette is doing, really, is what Obama is now doing with Iran: talking to “the enemy” without preconditions. You’d think Smothers would admire that, after all. Yes, irony.

What we call “liberalism” today is something strikingly illiberal. As I twittered before turning in last night, when did “tolerance” become a demand for ideological purity above all else?

Read the whole post—there’s a lot more there, including a moving meditation on Penn’s naked honesty and introspection; you don’t see many people wrestle with things as openly, or indeed anywhere near as openly, as he does. I don’t agree with his politics, and I don’t agree with his atheism; but however wrong I may think his conclusions about what is true may be, he seems quite clearly to be a seeker after truth, rather than after winning the argument or pleasing a particular group of people or any of the other substitutes we human beings tend to find. Indeed, he seems committed to taking the hard questions head-on rather than ducking them or dismissing them, and to treating those who ask those questions with respect rather than defending himself by attacking them. This is a rare and honorable thing, and worthy of great respect.

Life with cat

One of my Facebook friends posted this first video the other day; it cracked me up, so I went looking for more. Turns out the guy who made it, Simon Tofield, has his own YouTube channel which I had somehow, inexplicably, missed over the last year or so. I’m glad I found it, because this is truly a man who understands the humor of living with a cat.

Obama media strategy: control the message

This is an absolutely fascinating presentation by Anita Dunn, the White House Communications Director, on the media strategy of the Obama campaign—and by extension, the Obama administration. Her analysis is, I think, critically important for anyone who wants to understand the relationship between politics and the media in the current environment, and the approaches that politicians who want to be successful will need to adopt going forward.

From what I’ve seen, most of the blogospheric reaction has followed the tone of this WorldNet Daily piece:

President Obama’s presidential campaign focused on “making” the news media cover certain issues while rarely communicating anything to the press unless it was “controlled,” White House Communications Director Anita Dunn disclosed to the Dominican government at a videotaped conference.”Very rarely did we communicate through the press anything that we didn’t absolutely control,” said Dunn.

Though that presentation is not inaccurate, it’s designed to support the title of the piece:

White House boasts: We ‘control’ news media

and that title is inaccurate, in two ways. In the first place, Dunn nowhere claims to control the media; what she’s actually talking about is manipulating the media to control the message, to set things up in such a way that the story they have to report is the story you want them to report, so that your message gets out the way that you want it to get out. It’s not about controlling the media but using them for your purposes. (This was, of course, made a lot easier for them by the generally lap-doggish attitude of the major media toward Barack Obama.) And in the second place—and this is more important than it sounds—Dunn wasn’t boasting. She was simply reporting: “This is what we did, this is why we did it, and this is why it produced the result we wanted.”

What Dunn is essentially talking about here is the ways in which the development of the Internet has weakened and is eliminating the long-held power of the legacy media to filter reality, to decide what the culture in general will be broadly aware of—and the ways in which, in consequence, politicians can use that development to control their message. Indeed, she’s laying out a blueprint for doing so, and explaining why it was essential to her campaign’s success.

The fact that the Obama campaign understood this intuitively, and thus was able to use that intuitive understanding to do just that to an unprecedented degree, while the McCain campaign was completely clueless is one of the reasons Barack Obama is now sitting at 1600 Pennsylvania Avenue. The fact that Sarah Palin understands this, and in consequence has turned her Facebook page into a potent political weapon, is one of the reasons she is in my judgment the most important and effective political force in the Republican Party at this moment despite the best efforts of the legacy media to filter her right into impotence and irrelevance. Anyone who wants to compete with them in the future on anything approaching a level playing field is going to need to be smart enough and tuned-in enough to do likewise.

That is the real meaning and significance of Dunn’s presentation; rather than mistaking it for hubris on the part of the Obama administration and using it as one more cudgel with which to beat on the President, the Right needs to recognize her analysis of the political-media landscape as correct and her prescription as essential, and learn to go and do likewise. And the media had best do the same, and figure out how to adapt and respond, lest their current posture of lap-doggish servitude be institutionalized and rendered permanent.

HT: Janet McGregor Dunn

(Cross-posted at Conservatives4Palin)

A bit o’ the genius o’ the Celts

to brighten your Sunday evening. My wife set me off looking for a video of a particular piece by the Irish pianist, composer and scholar of world music Mícheál Ó Súilleabháin; I didn’t find that particular one, but I did find a few other videos of him performing, including the one below. That set me off wandering from video to video (since everyone knows YouTube videos are like Lays potato chips—no one can eat just one), and I added a couple others to the post just for fun.

Mícheál Ó Súilleabháin and Mel Mercier (not sure of the tune)

Silly Wizard: Donald McGillavry

Kate Rusby: Sir Eglamore

Is President Obama not funny?

In response to my previous post, cyberfriend Doug Hagler suggested a couple reasons why late-night hosts haven’t done much with Barack Obama up until he was (startlingly) awarded the Nobel Peace Prize. One, Joe Biden, I agree with; the VP is a walking punch line, giving them plenty of material to work with all by himself. Doug’s right to call him a “comedic sacrificial lamb.” He also has a point in noting that we’re not that far into the Obama administration, though if you look back eight years, I think you’ll find that that didn’t slow the likes of Jay Leno much in going after George W. Bush.His other suggestion, though, I think is off: that the President is “an articulate public figure” who doesn’t give comedians many opportunities to poke fun at him. You know, the guy gives a good speech, but get him off his teleprompter and he’s startlingly mortal—even Bush-like. Here’s a few examples:

Austrian is a language?

Halting the rise of privacy?

When TOTUS fails:

Thinking on his feet:

57 of 59 states, one left to go:

None of this is to imply that the President is stupid, because he isn’t; but were these lines all attributable to George W. Bush, they would have been fed right into the Bush-as-drooling-clown meme, and the jokes would have come cascading down. When Barack Obama says them? Crickets from the big guns of the media. Clearly, something’s uneven here.

Now, I don’t blame this on bias on the part of late-night hosts. I do think they’re biased to some degree—because who isn’t?—but I don’t think bias drives their routines much at all; for those guys, the driver is getting a laugh, and they’ll do anything within reason to get a laugh out of their audience. (And for Letterman—who’s either the most biased of the group, I think, or just the meanest—maybe not just within reason.) They’ve tried telling Obama jokes, and studio audiences haven’t responded. They don’t want to tell jokes that leave the audience cold, and you can’t blame them for that.

Part of this is that the President started off with such an elevated mood, with such elevated expectations, that many people didn’t want to diminish that any by laughing at him; part of it is that over the course of the campaign, Barack Obama became increasingly unable to laugh at himself, and so far he’s been running an administration that really can’t seem to take a joke. That doesn’t encourage public levity. It will be interesting to see if the laughter over the Nobel is an indication that public attitudes—as represented by talk-show studio audiences—are starting to change, or if it’s just a blip. If it’s the former, then the President had best relearn to take a joke, because as JibJab has known all along, he’s plenty vulnerable to satire.

The self-esteem presidency

Those of us who support Sarah Palin are fond of, among other things, pointing out the various predictions she made during her RNC speech which are being realized during the Obama administration. There are a number of them, including her warning of higher deficits and her invocation of a candidate who couldn’t bring himself to use the word “victory” when discussing Iraq and Afghanistan, but only when talking about his own campaign—that’s why the speech makes such good material for Palinites now. Of all the things she said, though, I think the most important was this:

The American presidency is not supposed to be a journey of “personal discovery.”

I think that was an important line because whether that was Gov. Palin’s insight, that of the scriptwriter with whom she worked, or came from someone else, it was the sharpest and most pointed insight offered during the campaign as to what we were really in for with an Obama victory. It was a fair shot from the McCain campaign; like him or loathe him, there’s no question that along with arrogant ambition, Sen. John McCain is driven by a deeply-ingrained desire, even need, to serve this country. I don’t question that President Obama wants to do what’s best for the country, but I think he operates out of a very different spirit.

Back before she herself succumbed to the infatuation, Kathleen Parker dubbed Barack Obama “the Messiah of Generation Narcissism.” In the process, she made a couple good points about him and what his ascent says about our culture—points which she would no doubt deride now were they to be made by, say, Gov. Palin, but hey, you gotta pay for that seat on Air Force Won.

To play weatherman for a moment, [Obama] is a perfect storm of the culture of narcissism, the cult of celebrity, and a secular society in which fathers (both the holy and the secular) have been increasingly marginalized from the lives of a generation of young Americans.

All of these trends have been gaining momentum the past few decades. Social critic Christopher Lasch named the culture of narcissism a generation ago and cited addiction to celebrity as one of the disease’s symptoms—all tied to the decline of the family.

That culture has merely become more exaggerated as spiritual alienation and fatherlessness have collided with technology (YouTube, Facebook, MySpace, etc.) that enables the self-absorption of the narcissistic personality. . . .

Whatever the Church of Obama promises, we should not mistake this movement for a renaissance of reason. It is more like, well, like whoa.

One factor Parker didn’t mention in that column was the emphasis of the last few decades on artificially inflating the self-esteem of children, which has led to such things as grade inflation (including school districts that, as a matter of formal policy, forbid giving children Fs) and the philosophy that children should not be allowed to fail. This has been a crucial contributing factor to the culture of narcissism that Lasch identified, and has produced a great many chronological adults who believe success is a birthright which they should be able to achieve without trying too hard.

In light of that, consider this telling insight from a piece in the New York Review of Books:

It’s apparent that Obama is still learning the differences between campaigning and governing. And sometimes his inexperience shows. His speeches on health care on Labor Day and before Congress a few days later drew on his old rhetorical skills and finally showed some passion, and the one before Congress was his most effective so far in combining both rhetoric and explanation. But it was of interest that Chuck Todd of NBC reported that before he gave those speeches Obama’s staff had had to get him “fired up” to take on his critics. Obama, whose high self-esteem is well known among close observers, had previously assumed that a “following,” a “movement,” would be there without his having to do much to stimulate it.

We have a President who doesn’t think he should have to work in order to achieve political victory. This might be why the only political victories achieved to this point under his administration have been the ones Nancy Pelosi and Harry Reid could achieve largely without his help.

This really shouldn’t be surprising, though; up through this past January, Barack Obama has been able to achieve most of what he wanted without really working all that hard. As Ed Lasky writes,

Barack Obama has displayed a disturbing pattern of work ethics: shirking work; claiming success when he was not entitled to do so; hiding his failures; and claiming the work of others as his own—when it was successful. These are not character traits that we should associate with Presidents.

This is, of course, a serious charge; but read the article, because Lasky substantiates it from case after case. Of those, the most speculative but perhaps the most revealing is the case of Dreams from My Father, the memoir (published when he was but 34) which has been used as one of the main pieces of evidence for President Obama’s supposed superior intelligence. As I noted some time ago, there’s good reason to doubt that he in fact wrote the book; the Anchoress captured it well when she pointed out that writers write, it’s what they do—the demands of life have their effect, but when they can, what they can, they write—and that aside from that book, Barack Obama’s life shows little evidence that he’s truly a writer. Indeed, what we have of his writing from his time at Columbia and Harvard Law (what little we have) ranges from workmanlike to dismal.

That’s why Jack Cashill of American Thinker has been arguing in increasingly greater detail, with mounting evidence, that in fact Barack Obama did not write Dreams from My Father—Bill Ayers did. Cashill’s argument has now received unexpected support from Christopher Andersen’s biography, Barack and Michelle: Portrait of an American Marriage. As Ron Radosh lays it out,

Andersen writes in his book that after Obama finally got a new contract to write a book, Michelle Obama suggested that her husband get advice “from his friend and Hyde Park neighbor Bill Ayers.”

Obama had not as yet written anything. But he had taped interviews with family members. Andersen writes: “These oral histories, along with a partial manuscript and a truckload of notes, were given to Ayers.” . . .

Andersen also writes, quoting a Hyde Park neighbor of Obama: “Everyone knew they were friends and that they worked on various projects together. It was no secret. Why would it be? People liked them both.” . . .

Finally, Christopher Andersen concludes: “In the end, Ayers’s contribution to Barack’s Dreams From My Father would be significant—so much so that the book’s language, oddly specific references, literary devices, and themes would bear a jarring similarity to Ayers’s own writing.”

Now, it is of course true that (like everyone else these days), Andersen is working from unnamed sources (though he has said that he confirmed this information from two independent sources in Hyde Park); this could prove to be as bogus as the claim last year that George W. Bush had the CIA fabricate evidence justifying the war in Iraq. That said, Andersen is only substantiating an argument which can already be made, and made quite well, from evidence in the public domain; “the book’s language, oddly specific references, literary devices, and themes” do in fact “bear a jarring similarity to Ayers’s own writing.” As such, while we cannot take the point as proven, it’s entirely reasonable to conclude that the balance of the evidence supports the conclusion that Barack Obama probably was not the primary writer of Dreams from My Father—that this is, rather, yet another case of him taking credit for someone else’s work in order to make himself look good.

What we have here, I think, is a man who does what he likes to do and just never really gets around to buckling down to do what he doesn’t like to do. He does what makes him feel good, but doesn’t have the appetite for the hard, grinding work that is usually necessary to produce real accomplishments. As such, the only real accomplishments he has to show are the ones he can produce by doing what he likes. He likes going around and talking to people, he likes kicking ideas and arguments around with people who agree with him, and so he’s an effective and energetic campaigner; as such, he has the accomplishments that can produce—namely, election to various offices. If people question his résumé, he embellishes it. When it comes time to do the work for the offices to which he’s been elected, he “works from home,” takes credit for the accomplishments of others, votes “present” to duck the tough questions—and when things go badly, covers it up or finds someone else to blame.

The end result of all this is someone who’d rather campaign for President than be President; and since he was elected nearly eleven months ago and took office eight-and-a-half months ago, this is a problem. Even liberals are starting to complain about it. But no one should be surprised; this is a man of high self-esteem who expects success to come to him because he’s wonderful, not because he’s worked hard for it. Maybe the light will come on and he’ll rise to the demands of the office yet, who knows; but for now, given his résumé, what other sort of presidency should we have expected?

We should have seen it coming. Gov. Palin certainly did.

(Cross-posted at Conservatives4Palin)

Update: Add SNL to the list . . .