Last night, my wife and I went out to see Prince Caspian—it was our first movie date in years (it’s nice to be able to go to the movies again)—and we loved it. I know there’s been a lot of back-and-forth about the movie vs. the book; Frederica Mathewes-Green was actually so bold as to say the movie tops the book, while other voices have, much more predictably, argued the opposite. Douglas Gresham, Lewis’ stepson and the movie’s co-producer, said in an interview with CT that the movie “portrays probably even more strongly than the book the essential message of Prince Caspian,” even as he concedes that the book itself isn’t all that strong. I wouldn’t go as far as Mathewes-Green, who calls it “a dud”—I think she needs to read Michael Ward’s book Planet Narnia, which I’m looking forward to reading (soon, I hope)—but I do think it’s the weakest of the books; in reading it to my older girls recently, I really felt the force of the anticlimax.In light of that, while I don’t want to wade into the fray over comparing the book and the movie (in part because I don’t want to take the time to write a fully coherent review essay, just the movie-review equivalent of a notes column), I do want to offer observations in praise and support of the movie. Warning: spoilers ahead (I will pull no punches); don’t click “Read More . . .” if you haven’t seen the movie.First observation: I thought the filmmakers took the Pevensies’ dislocation and its effects far more seriously, and thought about its effects a good deal more, than Lewis did. Kudos to them on that. The introduction of the Pevensies, with Susan very much feeling a misfit and Peter getting into a fistfight because he can’t adjust back to being a kid under (often-capricious, unjust) authority after spending however many years as High King, is spot-on, and lays the groundwork for much of what follows. Going from being adults and sovereigns in Narnia back in a moment to being English schoolchildren must have been like throwing the car into reverse at freeway speed; if you understand the Pevensies as actual human beings going through that experience rather than as figures in an allegory, that would be a traumatic moment that must have had noticeable long-term effects. (To put it mildly.) I appreciate the filmmakers noticing.I especially appreciated the way they used it in character development, and especially with Peter and Susan. Peter has been struggling to adjust to not being High King, the general and warrior and statesman who is above all others under the law; for him, getting back to Narnia is, more than anything, about being back in charge, back on top. He’s not willing to defer to anyone, or even to treat anyone as an equal (including Caspian, even though Caspian knows the situation far, far better than he himself does), and he’s not willing to wait for Aslan, since to do so would be to acknowledge that even in Narnia, he is a man under authority. He doesn’t see Aslan when Lucy does because he doesn’t want to—he wants to do it himself; Lucy’s right, he has indeed forgotten who really defeated the White Witch, and he’s done so deliberately, out of pride. This drives him to put his faith in himself and his own judgment rather than in Aslan, with terrible consequences. He must be humbled, and have his faith properly oriented once again, before he can triumph; thus the capstone to his work is his surrender of his sword to Caspian, the final acknowledgement that it’s Caspian who now rules in Narnia. In that, he has learned what he needed to learn, and returns to England a second time actually ready to transition back to living there.Susan, by contrast—and by explicit, conscious (or semi-conscious) reaction against Peter—holds herself aloof from Narnia; she too, as Lucy tells her, doesn’t see Aslan until the end because she doesn’t want to. In her case, however, it’s not because she doesn’t want to submit to him, but rather because she doesn’t want to surrender to him; she’ll enjoy being in Narnia “while it lasts,” but she knows it isn’t going to and she’s guarding her heart against it. In this, I think, the filmmakers are laying the groundwork for her defection from the friends of Narnia which is revealed in The Last Battle—groundwork which is, I think, implicit in the book, but which is shown more clearly in the movie. (I might add, by the way, that I’ve never felt “Oh, wasn’t it fun when we used to pretend” was at all reasonable to have Susan say; her decision to turn her back on Narnia made sense to me, but not that she would actually forget, or come to believe it had never been real.) She refuses to fully yield to the reality of Narnia, choosing to protect herself by holding back from it; as a consequence, where Peter moves through their dislocation and comes out the other side, she pulls back from it. Where Peter has learned all Narnia can teach him, she has merely learned all she can learn.Second observation: I’ve seen complaints that the spiritual meaning of the book is lost in the movie. Now, I’m just a simple country preacher, so maybe I’m just not smart enough, but I’ve never been all that sure what the overarching spiritual meaning of the book is. It’s one of the reasons I’m looking forward to reading Planet Narnia, in hopes of seeing more in Caspian than I have to this point. As far as the book’s message about faith goes, though, I think it’s actually strengthened in the movie, because Peter and Susan’s character arcs through the movie play into that. Peter’s journey is especially relevant, because he starts off explicitly putting his faith in himself rather than in Aslan, and it blows up in his face; it’s as he shifts to trusting and serving Aslan rather than himself and his own ego that things start to get better.The climax of the movie, I think, is the summoning of the White Witch. Caspian has the wits, when she actually appears, to resist taking the last step to set her loose, and then the appearance of the Pevensies brings the whole plot crashing down—except that Peter allows himself to be half-seduced by the Witch. She’s cunning enough to offer help, to present herself as an ally who would follow him, and despite the fact that he ought to know better, he’s tempted. He still doesn’t want to let go, he still wants to defeat Miraz’ army himself and take the credit, and he’s actually willing to consider allying himself with the Witch to do it (even if it means lying to himself that he can trust her). Fortunately, Edmund isn’t going to make that mistake twice, and saves the day; and at that point, Peter seems to stop, take a good look at himself and how he’s acting, and realize that he’s been putting his faith in the wrong place. From that point on, he lets Lucy have the key role, and dedicates himself to buying the time for her mission to succeed.Third observation: as Philip noted over at The Thinklings, the filmmakers do a lot more with Edmund, and give him a lot more scope to act, than Lewis did. His decisive action to save his brother (and all Narnia) from the White Witch is the high point, and I think adds another dimension to the Christian message of the story. In the Pevensies’ first visit to Narnia, after all, Peter was the golden boy, while Edmund fell to temptation as the White Witch appealed to his pride; but that very success makes Peter vulnerable this time, to the point that he nearly falls to the same temptation that ensnared his brother, while Edmund is humbler and therefore wiser. This really underscores the story’s argument for faith, I think, making it clear that pride and faith in ourselves is a false path, while humility and faith in the true God is the only real way forward. It’s telling that in the last charge, the battle cry is no longer “For Narnia!”: it’s “For Aslan!” And though it’s Peter who leads the way, and Lucy who makes the way, it’s Edmund who shows the way; and, of course, it’s Aslan who is the way.Fourth observation: I have to differ with Renaissance Guy’s complaint that “the characters just do their own thing and don’t work together much or discuss their problems to determine cooperative solutions, which definitely departs from the story Lewis wrote.” That is indeed a problem when Peter shows up and takes over—and the result is a terrible defeat. As Peter is humbled, that changes; we don’t see the discussion that produces the plan that wipes out the Telmarine cavalry at the Battle of Aslan’s How, but it’s a fairly complicated plan that depends on considerable coordinated effort and mutual trust. The fact that failure to cooperate produces disaster, while working and planning together and trusting one another produces success, is very much in line with the story Lewis wrote; and that arc is a lot more realistic, to boot. After all, trust doesn’t usually come all that easily; it has to be built up, and we have to learn (and re-learn) our need to trust one another.Fifth observation: I think the movie gives us a much better and more believeable Caspian than the book. Having him older, right on the cusp of his majority, is not only better for the plausibility of Dawn Treader (as Gresham notes in the interview), it’s better for this story as well. I’m not sure I buy Doctor Cornelius having taught him so much less about the Narnians, but it’s clear that he’s much more prepared to be king, and this is good for the story. In the book, Caspian is a fairly passive figure, taken all in all, and really too young to be what the time demands that he be; that’s why the summoning of the Pevensies is necessary. They essentially return to re-establish their own reign, serving as a sort of rightful king by proxy, then pass it on to Caspian. In the movie, Caspian is already on his own two feet, raising the Narnians as an army against the usurper; he may be a king in exile, but he is very much a king. The Pevensies are needed for the benefit of their experience (mixed blessing though that is) and of their relationship with Aslan (which in the movie is to say, primarily, Lucy’s relationship); their blessing is valuable to give Caspian and his dynasty full legitimacy in the eyes of the Old Narnians, but it isn’t necessary to make him what he already is. Indeed, Peter’s surrender of his sword at the end probably does more for Peter, enabling him to let go of being High King (after all, his reign ended abruptly; one could say he needed more closure than that), than it does for Caspian.Sixth observation: not a major point, but there are a lot more Telmarines in the movie than in the book, as there ought to be after all that time. The book gives us perhaps the smallest-scale coup I’ve ever heard tell of; in the movie, the sheer size of the task set before Caspian can be clearly seen, as it should be.That’s just a few observations; I may have more to post later, but that’s enough to be going on with now. Taken all in all, though, I have no compunction in saying that, while no doubt the filmmakers could have done better, I think we can and should be happy with the job they’ve done.