The OSM (Obama-stream media) theme song

Consequence Free

Wouldn’t it be great if no one ever got offended?
Wouldn’t it be great to say what’s really on your mind?
I have always said all the rules are made for bending;
And if I let my hair down, would that be such a crime?

Chorus:
I wanna be consequence-free;
I wanna be where nothing needs to matter.
I wanna be consequence-free,
Just sing Na Na Na Na Na Na Ya Na Na.

I could really use to lose my Catholic conscience,
‘Cause I’m getting sick of feeling guilty all the time.
I won’t abuse it, yeah, I’ve got the best intentions
For a little bit of anarchy, but not the hurting kind.

Chorus

I couldn’t sleep at all last night
‘Cause I had so much on my mind.
I’d like to leave it all behind,
But you know it’s not that easy

Chorus

Wouldn’t it be great if the band just never ended?
We could stay out late and we would never hear last call.
We wouldn’t need to worry about approval or permission;
We could slip off the edge and never worry about the fall.

Chorus out

It’s a catchy song, and the video (which is below, if you’re interested) is the sort of fun, goofy piece that Great Big Sea likes to do.  It’s also, as I’ve said somewhere, one of the stupidest song lyrics I’ve ever run across.  What does it mean when our actions are consequence-free?  When our actions have no consequences, we say they’re inconsequential; that means they don’t matter, which is why inconsequential is a synonym for unimportant or insignificant.  If nothing we ever did had consequences, if none of it ever mattered, then we wouldn’t matter; if all our actions were insignificant, it would mean that we would be insignificant, our lives would be meaningless.  As I wrote last fall,

The key is that our actions matter because we matter. Indeed, we matter enough to God that he was willing to pay an infinite price for our salvation; and so our actions matter greatly to him, both for their effect on others (who matter to him as much as we do) and for their effect on us. Our actions have eternal consequence because we are beings of eternal consequence; it could not be otherwise.

Only a fool could wish for insignificance; it’s profoundly foolish even to feign a wish for such a thing.

Now, it’s hardly a new or shocking idea to suggest that our media establishment is composed largely of fools, but they’re so far in the tank for Barack Obama that it’s taking them to new and surprising depths of folly.  We see this particularly in the ongoing effort by the MSM—who would be better called the OSM, the Obama-stream media; they’re so deep in his pocket, they’re nothing more than pocket lint at this point—to render the president consequence-free, at least when it comes to negative consequences:  if anything bad happens, it’s all that evil Bush’s fault, or that evil Cheney’s fault, or the fault of some other evil Republican.  The deepest depths of this drivel (so far) have been plumbed by Maureen Dowd, who wrote in the New York Times,

No matter if or when terrorists attack here, and they’re on their own timetable, not a partisan, red/blue state timetable, Cheney will be deemed the primary one who made America more vulnerable.

In other words, it doesn’t matter when it happens, or what happens, or how it happens, or what could have happened, or what the president and his administration have done, or what they haven’t done, or what they could have done, or what they should have done—according to Maureen Dowd, if terrorists ever do anything here again, no matter what, it’s Dick Cheney’s fault.

Now, to a superficial mind, I can see the appeal of this:  it preserves the “blame everything on the GOP” strategy that got the Democratic Party to power, wherein it is asserted that only the GOP can do or cause bad things, while all good things are solely to the credit of the donkeys.  What Dowd apparently fails to see, however, is the way in which her assertion completely emasculates President Obama and his administration.  What she’s essentially saying is that Barack Obama is fundamentally inconsequential and ineffectual, at least by comparison to the previous administration.  George W. Bush and Dick Cheney are the ones with the real power, the ones who really matter; Barack Obama just can’t be expected to compare, or to have the same kind of effect on the world.  He can’t be held responsible if al’Qaeda or somebody else attacks us, because, um, it can’t possibly be his fault, because, uh, well, he just can’t be; there has to be someone else to blame.  The buck doesn’t stop at his desk; that’s above his pay grade, or something.

I’m sorry, but when people start saying things like that about the President of the United States, that’s just pathetic.  But hey, at least he can dance around and look cool, like these guys:

 

Coming down to earth

I’m a big fan of Pixar’s Andrew Stanton, the writer/director behind Finding Nemo and WALL-E; I have tremendous respect for his creative gifts and approach (which he discussed in a fascinating interview last June), and I think he tells great stories well.  My lovely wife disagrees with me, but I think WALL-E‘s the better of the two; that’s no putdown to Nemo by any means, it’s just that WALL-E works on so many levels and really connects the intimate story of the two main characters to the epic background story of the human race and the fate of the planet Earth.

Down to Earth

https://www.youtube.com/watch?v=aLICp30BJgA

Did you think that your feet had been bound
By what gravity brings to the ground?
Did you feel you were tricked
By the future you picked?
Well, come on down.

All those rules don’t apply
When you’re high in the sky,
So, come on down . . . come on down.

Chorus:
We’re coming down to the ground—

There’s no better place to go;
We’ve got snow up on the mountains,
We’ve got rivers down below.
We’re coming down to the ground;
We hear the birds sing in the trees,
And the land will be looked after,
We’ll send the seeds out in the breeze.

Did you think you’d escaped from routine
By changing the script and the scene?
Despite all you made of it,
You’re always afraid of the change.

You’ve got a lot on your chest;
Well, you can come as my guest,
So come on down . . . come on down.

Chorus

Like the fish in the ocean,
We felt at home in the sea;
We learned to live off the good land,
Learned to climb up a tree.
Then we got up on two legs,
But we wanted to fly;
When we messed up our homeland,
We set sail for the sky.

Chorus

We’re coming down (down)
Coming down to Earth (down)
Like babies at birth (down)
Coming down to Earth (down to Earth)
We’re gonna find new priorities (down)
These are extraordinary qualities (down)
(Down, down to Earth)

Chorus

Words:  Peter Gabriel; music:  Peter Gabriel and Thomas Newman
©2008 Pixar Music/Wonderland Music Company Inc.
From the movie WALL-E

Pride (in the name of love)

This video was produced, as far as I can tell, as an ad of sorts for the History Channel’s show on Dr. Martin Luther King Jr.; it features John Legend’s version of U2’s “Pride (In the Name of Love)”—which is a rare accomplishment: a cover of that song that’s actually good—accompanied by footage and photos of Dr. King and other participants in the civil-rights movement.  Ad or otherwise, it’s a worthy tribute.

Just to get your feet tapping a little

I was keeping our littlest one happy yesterday afternoon after she woke up, still sick, from her nap; for whatever reason, one way I did that was by playing her a few CCR videos, and I got a couple of their songs stuck in my head.

And the best song ever written about baseball:

Meditation

My old InterVarsity staffworker, Joel Perry, posted this video on Facebook, and it’s so beautiful and meditative that I just had to share it.  This is the Bulgarian National Choir singing Otche Nash (“Our Father”), a setting of the Lord’s Prayer by Nikolai Kedrov.

For Bill and Bird: another contender

that being a band, incidentally, that U2 admired a great deal, that influenced them and was influenced by them in turn:  Big Country.  I’ll grant U2 the lyrical edge (especially for their theological depth), but musically I’d take BC over either U2 or Rush.
Remembrance Day

Song of the South

The Storm

In a Big Country

Look Away

The Seer

Heart of the World