I know I’ve mentioned our time in Vancouver, British Columbia, where I attended seminary at Regent College, and how much I enjoyed both the school and the city. Living the young married student life, we didn’t have the money to take advantage of nearly as much in the city as we would have liked to—the time Ragtime came through the Chan Center, for instance; one of my classmates who was a Juilliard graduate went and told us all about the performance, but tickets for that were nowhere near our budget—but we did what we could, and there were always a great many wonderful opportunities to choose from.From an arts perspective, one of the best of those opportunities was, and continues to be, the Pacific Theatre, a small company with a large artistic vision and the ability to back it up. PT had a fair bit of difficulty establishing itself in highly secular Vancouver because that vision is uncompromisingly Christian: co-founder and artistic director Ron Reed is another former Regent student who considered being a pastor for a while. The key is that his vision isn’t Christian in the VeggieTales sense, but something broader and deeper; as he put it in an interview with CanadianChristianity.com,

I, and the company, are preoccupied with the things Jesus talked about and embodied: reconciliation, forgiveness, restoration, new life and a new start, the supernatural, ethical and moral decisions, and peace and justice. So we put on plays that explore these themes.

The result is art which honors God not merely in its message, but in its quality; PT does good work, and so has earned a hearing, and a following, and a great deal of respect, in a city that loves art but does not love the church.

Rory Holland declared: “Ron Reed’s singular vision, accompanied by the many people who have stood beside him, has provided Vancouver a unique theatre experience. Often we see theatre as just another mode of entertainment.”PT, he asserted, “chose more, chose to see the stage as a place where people can be moved, hearts changed, thoughts provoked—all through the medium of damn fine writing, directing and acting. I know we are a better city because of Pacific Theatre.”Playwright and actor Lucia Frangione observed: “Most Christian theatre is actually ‘family oriented’ theatre. There’s nothing particularly Christian about it, aside from the exclusion of certain material that some would find offensive—or not suitable for children, or seniors with a heart condition.”PT, she added, “is one of the rare true ‘Christian’ theatres, where issues of faith, morality, religion, Christ’s teachings—and how they relate to the modern world—are honestly examined. The material they explore often is too bold for ‘family oriented’ theatre, and too controversial for secular theatre.”For many theatre troupes, she contended, “religion is a ‘red flag’ which they try very hard to avoid in their programming, out of fear they will alienate certain audience members. Thank goodness Pacific Theatre has the courage for red flags.”

If you want to understand how to be a true Christian and a true artist, Ron Reed is one of those (along with our own Dr. Patrick Kavanaugh and his Christian Performing Artists’ Fellowship, among others) who points the way; and whether that’s you or not, if you ever happen to be in Vancouver and up for a performance, go check out the Pacific Theatre. You won’t be disappointed.HT: Jeffrey Overstreet via Stephen Ley