Lenten Song of the Week

The longer I go on and the more I learn, the more convinced I become that one of the great holes in contemporary Western Protestant theology, of all stripes, is the absence of any real understanding, let alone doctrine, of the priesthood of Christ. It’s one of the reasons Ascension is pretty much forgotten even in most churches that otherwise observe the liturgical year. This is not good for our spiritual health.

He Was Heard
(Hebrews 5:7)In the days of old, the priest would come
With a lifeless sacrifice,
While the crowd in anxious silence would wait outside.
As he entered in the Temple,
They only hoped he would be heard,
God would give them a tomorrow,
And the priest would stay alive.Their only chance, their only hope:
Would he be heard?
The only way they might be saved—
Would he be heard?
In the fullness of the promised time,
The final priest did come,
And he offered up a living sacrifice.
Now we his children wait for him
With hope and joyful praise,
For we know that God has heard him,
For we know that he was raised!He offered tearful prayers
And he was heard;
He offered up his life
And he was heard.
So let us fix our eyes upon
The priest whom God did hear;
For the joy that was before him,
He overcame the fear.
For once and all he paid the cost,
Enduring all the shame,
Taking up the cruel cross,
Ignoring all the pain.Words: Michael Card
Music: Michael Card and Randy Scruggs

© 1984 Whole Armour Publishing
From the album
Known By the Scars, by Michael Card

Lenten Song of the Week

This hymn isn’t one of the best-known cross hymns, but I’ve always been very fond of it.

In the Cross of Christ I GloryIn the cross of Christ I glory,
Towering o’er the wrecks of time.
All the light of sacred story
Gathers ’round its head sublime.

When the woes of life o’ertake me,
Hopes deceive, and fears annoy,
Never shall the cross forsake me.
Lo! it glows with peace and joy.

When the sun of bliss is beaming
Light and love upon my way,
From the cross the radiance streaming
Adds more luster to the day.

Bane and blessing, pain and pleasure
By the cross are sanctified.
Peace is there that knows no measure,
Joys that through all time abide.Words: John Bowring
Music: Ithamar Conkey
RATHBUN, 8.7.8.7

Lenten Song of the Week

This isn’t a hymn that’s commonly associated with Lent, at least in my experience, but I think it fits this season; I also think it’s a magnificent text that benefits from one of the most beautiful melodies the human heart has ever produced (at least in this life).

I Cannot TellI cannot tell why He whom angels worship
Should set His love upon the sons of men,
Or why, as Shepherd, He should seek the wanderers
To bring them back, they know not how our when.
But this I know, that He was born of Mary
When Bethlehem’s manger was His only home,
And that He lived at Nazareth and labored,
And so the Savior, Savior of the world, is come.

I cannot tell how silently He suffered
As with His peace He graced this place of tears,
Or how His heart upon the cross was broken,
The crown of pain to three and thirty years.
But this I know, He heals the broken-hearted
And stays our sin and calms our lurking fear,
And lifts the burden from the heavy-laden,
For yet the Savior, Savior of the world, is here.

I cannot tell how He will win the nations,
How He will claim His earthly heritage,
Or satisfy the needs and aspirations
Of East and West, of sinner and of sage.
But this I know, all flesh shall see His glory,
And He shall reap the harvest He has sown,
And some glad day His sun will shine in splendor
When He the Savior, Savior of the world, is known.

I cannot tell how all the lands shall worship
When at His bidding every storm is stilled,
Or who can say how great the jubilation
When all the hearts of men with love are filled.
But this I know, the skies will thrill with rapture,
And myriad, myriad voices sing,
And earth to heaven, and heaven to earth will answer:
“At last the Savior, Savior of the world, is King!”Words: William Y. Fullerton
Music: Traditional Irish melody
LONDONDERRY AIR, 11.10.11.10.11.10.11.12

“Louder doesn’t make you right”

Kudos to Chris Rice for this one—one of his best, I think.

You Don’t Have to YellSo-called reality,
Right there on my TV;
If that’s how life’s supposed to be, well,
Somebody’s lyin’.
The camera’s on and we can tell,
To keep your fame, you have to yell,
‘Cause tensions build, and products sell, and
We’re all buyin’.
I hope we’re smarter than this . . .

Everybody take a breath;
Why are all your faces red?
We’re missin’ all the words you said;
You don’t have to yell.
Draw your lines and choose your side,
‘Cause many things are worth the fight,
But louder doesn’t make you right;
You don’t have to yell.
Oh, you don’t have to yell.

I tuned in to hear the news—
I don’t want your point of view;
If that’s the best that you can do, then
Something’s missin’.
Experts on whatever side,
You plug your ears, you scream your lines;
You claim to have an open mind, but
Nobody’s listenin’.
Don’t you think we’re smarter than this?

Chorus

Everybody take a breath;
Why are all your faces red?
We’re missin’ all the words you said;
You don’t have to yell.
(If everyone will take the step,
Back away and count to ten,
Clear your mind and start again,
We won’t have to yell.)
Draw your lines and choose your side,
‘Cause many things are worth the fight,
But louder doesn’t make you right;
You don’t have to yell.
Oh, you don’t have to yell.
Words and music: Chris Rice
© 2006 Clumsy Fly Music
From the album
What a Heart Is Beating For, by Chris Rice

Lenten Song of the Week

Hallelujah! What a Savior!“Man of Sorrows!”—what a name
For the Son of God who came
Ruined sinners to reclaim!
Hallelujah! what a Savior!

Bearing shame and scoffing rude,
In my place condemned He stood,
Sealed my pardon with His blood;
Hallelujah! what a Savior!

Guilty, vile, and helpless we,
Spotless Lamb of God was He;
Full atonement!—can it be?
Hallelujah! what a Savior!

Lifted up was He to die,
“It is finished!” was His cry;
Now in heaven exalted high,
Hallelujah! what a Savior!

When He comes, our glorious King,
All His ransomed home to bring,
Then anew this song we’ll sing:
Hallelujah! what a Savior! Words and music: Philip P. Bliss
HALLELUJAH! WHAT A SAVIOR, 7.7.7.8

Lenten Song of the Week

Last year during Lent, I posted Isaac Watts’ greatest hymn, “When I Survey the Wondrous Cross”; this year, I think I’ll start off Lent with another of his great ones (minus the frankly execrable Ralph Hudson chorus).

Alas! and Did My Savior Bleed?Alas! and did my Savior bleed
And did my Sov’reign die?
Would He devote that sacred head
For sinners such as I?

Was it for sins that I have done
He suffered on the tree?
Amazing pity! grace unknown!
And love beyond degree!

Well might the sun in darkness hide
And shut his glories in,
When Christ, the great Redeemer, died
For man the creature’s sin.

But drops of grief can ne’er repay
The debt of love I owe;
Here, Lord, I give myself away—
‘Tis all that I can do. Words: Isaac Watts
Music: Hugh Wilson
MARTYRDOM, CM

The cross at the center

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.

—T. S. Eliot, “Burnt Norton,” Four Quartets, II.

God’s Own Fool

OK, so this one is Erin’s fault; I got along exploring her blog after her response (which I very much appreciated) to the meme I started, and ran across her post on foolishness and God. Apparently it’s part of a synchroblog that she and some other folks have going; but while I might not resonate with this in the same way as they do, this is something with which I resonate powerfully nonetheless. It begins with Jesus, God’s designated Fool; and it ends with us, his designated fools. I’ll talk about that tomorrow. For now, I want to let Michael Card do the talking, because I’ve always loved this song.
God’s Own Fool

It seems I’ve imagined Him all of my life
As the wisest of all of mankind;
But if God’s holy wisdom is foolish to men,
He must have seemed out of His mind.
For even His family said He was mad,
And the priests said, “A demon’s to blame”;
But God in the form of this angry young man
Could not have seemed perfectly sane.

When we in our foolishness thought we were wise,
He played the fool and He opened our eyes;
When we in our weakness believed we were strong,
He became helpless to show we were wrong.
And so we follow God’s own fool,
For only the foolish can tell;
Believe the unbelievable—
Come, be a fool as well.

So come lose your life for a carpenter’s son,
For a madman who died for a dream,
And you’ll have the faith His first followers had,
And you’ll feel the weight of the beam.
So surrender the hunger to say you must know,
Have the courage to say, “I believe,”
For the power of paradox opens your eyes
And blinds those who say they can see.

ChorusWords and music: Michael Card
© 1985 Mole End Music
From the album
Scandalon, by Michael Card

More tomorrow.

Songs of the week, for Hap

This is prefatory to a post or three on Pope Benedict XVI’s latest encyclical, which has gotten me thinking about hope, and faith. That in turn, though, along with a conversation with Hap, got me thinking about these songs, so I decided to post them.

Come InIf you’re standing next to someone
Who doesn’t know your name,
Come in, pull up a chair;
You and me, we are the same.

This is the palace of the thinkers, dreamers, in-betweeners,
The broken record-players hearing something in this music;
Here the wind blows softly, carrying a note forever,
Cradling the melody of hope.

If you’re screaming in the dark
And no one hears your voice,
Welcome to this whole new world of sound;
Come in, friend, sit down.

Chorus

Oh, it’s the atmosphere of truth
With an offering of peace;
Under your flesh of withered pride,
So many broken dreams,
Fallen man and other things . . .

If you’re reaching out to no one
And holding in a smile,
Come in and know your name;
Oh, friend, I’m listening.ChorusWords and music: Sarah Masen
© 1996 River Oaks Music/Andi Beat Goes On Music
From the album
sarah masen, by Sarah Masen

Hope Like a StrangerHope, like a stranger, came to my door;
I was afraid, I was rude—”What are you coming here for?
Have you come to stay, or are you just passing through?
I’ve seen your face, but I do not know you.”
He said, “You know me, but I’ve had to remain
Hidden in the shadows of your sorrow and pain,
For you have lived your life as a slave, so it seems,
Believing your nightmares instead of your dreams.”

Hope, like a stranger, posed a question like a dare:
“Can you mask the mysteries of your heart, pretending not to care?
For the thing that you dismissed with your cynical façade
Was the hope you’d been given from the very heart of God.
And it drove you in secret, but you held it close at bay,
And you tried to disown me, but you’re not made to be that way;
So I stand here longing, for no matter where you run
I will wait like the Father of the Prodigal Son.”

He said, “Hope, by itself, it can never be an end—
It’s like holding paper money that’s impossible to spend.
Unless the value is a given, the bargain’s incomplete.”
Then he showed me the scars on his hands and his feet.
I touched his wounds as I steadied my nerve;
He said, “I only bear the marks of the Master I serve,
And He sends me here to tell you I am bound up with Him.
You’d do well, when he comes, to also let Him in.”

Hope, like a stranger, came to my door;
But he’s risen and he stays a stranger no more. Words and music: Bob Bennett
© 1991 Bright Avenue Songs
From the album
Here on Bright Avenue, by Bob Bennett

HopeWe’ll be taking off our clothes to sing;
We’ll be wearing our own skin.
We’ll be taking off a whole lot more
Just so we can sing,
Just so we can sing.

Hope is coming out tonight,
Knocking at the door.
You’ve got to let that stranger in,
Looking at your soul,
Looking at your soul.

A peeling and a shedding mind,
Changing what we’re worth—
Blessed are the meek, somehow;
They’re taking in the earth,
Taking in the earth.

And all this talk of love and peace
And wanting something true—
Well, peace can cut the rope sometimes
That’s holding on to me and you,
Holding on to me and you.

Chorus

No sentimental bags of gold
To occupy the hurt;
It’s knowing what the demons sold
When falling to the earth,
When falling to the earth.

Now I’m stretching out across the land,
Trying my best to understand
While fear is barking like a dog,
But I’m holding out my hand,
Still holding out my hands.

Chorus

Standing in the cold,
Looking at your soul.
Words and music: Sarah Masen
© 2001 Dayspring Music, Inc.
From the album
The Dreamlife of Angels, by Sarah Masen

Song for the Christmas season

I don’t care for most Christmas songs written during the last century or so, but there are exceptions; this year, we received a copy of Carolyn Arends’ Christmas: An Irrational Season, and added a few more to the list. This one’s my favorite, I think.

Come and SeeHave you heard, have you heard,
All the rumors are true.
Spread the word, spread the word,
This is such good news:
The dream is not a dream anymore;
Nothing is the same as before.Come and see, come and see,
He is lying in the straw;
He’s a new baby boy
Who’s the hope of us all.
Come and hear, come and hear—
It’s a sound both sweet and strange:
It’s the great love of God
In the cry of a babe.
It’s the great love of God
In the cry of a babe.
See the star, see the star,
It will light our way;
Hear the song, hear the song,
Hurry to the place,
‘Cause if his mama says that it’s alright,
We can see the face of God tonight.ChorusSeeing is believing, yeah;
Believing is seeing, yeah . . .ChorusWords and music: Carolyn Arends
© 2004 Running Arends Music
From the album
Christmas: An Irrational Season, by Carolyn Arends