I’m not sure why so many people in Hollywood were surprised when Straight Outta Compton took over the box office this past August. Interest in the movie was running high, from what I saw, and it’s not as if there was much competition in the theaters by that point. For that matter, though there were some big hits this year, there wasn’t all that much worth watching for most of the summer. What’s more, SOC was released by Universal, which was well into its “all your box office are belong to us” routine. According to the Grantland article linked above,
Universal has already put together a box office year for the ages, and Straight Outta Compton notches the studio’s sixth no. 1 opener of the year. With Straight Outta Compton, Universal could release nothing else this year but a two-hour video of the staff taking selfies and it would still break Warner Bros.’ $2.1 billion record for domestic box office. By the way, that’s a record set in December 2009, which Universal will break in August.
Finally, while the main reason projections for the movie were low was that “it had no stars,” that wasn’t really true. I understand why people would say that (since the only actor in the movie with any reputation to speak of was Paul Giamatti, and he’s not exactly your classic leading man), but it missed the point. The stars of the movie were the characters in the story; it wasn’t the name value of the actors but their ability to bring the characters to life that mattered (as is the case most of the time). N.W.A has been defunct for a long time, but Dr. Dre and Ice Cube still have more pull than most movie stars. As long as they were behind it and the movie told the story in a compelling way, it had all the star power it needed. Having Ice Cube’s son playing him only reinforced that.
While it was mildly amusing watching the commentary and analysis of SOC‘s success, I was more interested in how little controversy there was. I’ve never been a rap fan, but N.W.A was a mammoth cultural presence in my high-school years. I remember the fury they caused, and I remember articles over the years asserting that gangsta rap was celebrating and even inciting violence against the police. I don’t know if those articles were correct or not, but I was surprised that when N.W.A came back in some sense with this movie, I didn’t see the opposition come roaring back along with it. Apart from a personal essay by Dee Barnes, who was brutally assaulted by Dr. Dre in 1991, the dominant cultural response seemed to be nostalgia.
This is unfortunate, because N.W.A shouldn’t be uncritically celebrated.Read more