Song of the Week

I’d never heard of Brandon Heath before he asked my wife’s cousin Curt and his kids to be among the cast of extras for his new video. The video is now out (my thanks to my dear wife for posting it), and it’s a great song; I’m not ashamed to say it made me weep. We fall so short of loving others the way God calls us to love; certainly, I do. Dear God, this is my prayer too.

Give Me Your Eyes

Looked down from a broken sky
Traced out by the city lights;
My world from a mile high—
Best seat in the house tonight.
Touch down on the cold blacktop—
Hold on for the sudden stop;
Breathe in the familiar shock
Of confusion and chaos.

All those people going somewhere—
Why have I never cared?

Chorus:
Give me your eyes for just one second,
Give me your eyes so I can see
Everything that I keep missing;
Give me your love for humanity.
Give me your arms for the broken-hearted,
The ones that are far beyond my reach.
Give me your heart for the ones forgotten;
Give me your eyes so I can see, yeah.

Step out on a busy street,
See a girl and our eyes meet;
Does her best to smile at me,
To hide what’s underneath.
There’s a man just to her right,
Black suit and a bright red tie,
To ashamed to tell his wife
He’s out of work, he’s buying time.

All those people going somewhere—
Why have I never cared?

Chorus

I’ve been here a million times;
A couple of million eyes,
Just move and pass me by—
I swear I never thought that I was wrong.
Well, I want a second glance,
So give me a second chance
To see the way you’ve seen the people all along.

Chorus

Give me your eyes,
Lord, give me your eyes,
For everything that I keep missing.
Give me your heart for the broken-hearted;
Give me your eyes,
Lord, give me your eyes.

Words and music: Brandon Heath and Jason Ingram
©2008 Sitka6 Music/Peertunes, Ltd./Grange Hill Music/Windsor Way Music
From the album
What If We, by Brandon Heath

The heavy yoke of self-justification

At the Synod of the Church of England at York Minster last month, just before the Lambeth Conference, the Archbishop of Canterbury preached a brave and important sermon—brave and important because he sought to apply the truth of Scripture to the situation in which the Anglican Communion finds itself. In so doing, he offered some characterizations of different parties within Anglicanism with which I don’t agree, but any such quibbles are secondary; the core of his message was wise and deeply biblical. This is in keeping with what I’ve come to expect from Dr. Rowan Williams: even when he arrives at positions with which I disagree (as he fairly often does), he consistently gets there for the right reasons.  That’s as true as ever in this sermon, which is at heart a meditation on the ways in which we try to replace Jesus’ well-fitted yoke with (in the words of one of the Desert Fathers) “the heavy yoke of self-justification.”

There’s a phrase to ponder—a heavy yoke of self-justification. That’s the law, that’s the curse. That’s the waterless pit indeed—where we struggle ceaselessly, unrelentingly, to make ourselves more right, and to lay hold upon our future. We lay upon ourselves a heavy yoke, from which only the grace of Jesus Christ can deliver us. In a nutshell, we lay upon ourselves the yoke of desperate seriousness about ourselves.

And Christ’s promise is so difficult because it’s so simple. “The Unbearable Lightness of Being”, as the novelist says, that is what Christ offers to us: receiving it is hard. Naaman of Assyria when he came to Elisha to be healed of his leprosy, could not believe that the answer was easy. There must be something complicated for him to do. There must be some magic to be done. The word alone, “release” is not enough. We long for, we are in love with the heavy yoke of self justification. Naaman wanted to go away from Elisha, able to say, “Well I had some part in that—I did the difficult things the prophet asked me”. And Elisha, in the name of God, tells him to do something simple, to immerse himself in the mercy of God. And when Jesus says, “Our yoke is easy and my burden is light”, that is what he says, to all of us as individuals, to us as a Synod, to us as a Church, to us as a society, to us as a human world: lay aside the obsession to possess the future, receive the word of promise, here. And that’s why, as Jesus himself says in the gospel, that’s why only some people really do hear the word easily—only the tax collectors and the sinners. . . .

He alone rests in that eternal, unifiable life. That is why he says, “Come to me and I will give you rest; I will give you sight; I will bring you hope.””My yoke is easy; my burden is light”, which is why we need to be where he is, nowhere else, where he is with the Father.

This is a sermon to read (or listen to; video is available below and on the page with the transcript) with our hearts wide open, that the Spirit may use it to bring us to repentance, and to greater wisdom.

HT: Alan Jacobs

 

Photo:  “Strongman Event:  the Yoke Race,” 2010, Artur Andrzej.  Public domain.

Exercise in cultural theology: “Kyrie”

I guess it’s ’80s pop week here—more than a little odd for someone who never listened to the stuff at the time. Still, there were a few songs from that era I really liked anyway; “We Didn’t Start the Fire” was one of them, and this was another one.

For those who don’t know, kyrie eleison means “Lord, have mercy.” Many don’t; I’ve seen people write that it means “God go with me,” and I’d always assumed that the songwriter thought that’s what it meant. In fact, though, John Lang (who wrote the lyrics) grew up singing the Kyrie in an Episcopal church in Phoenix, and knew the meaning of the words. In a lot of ways, that makes the song more interesting, I think; it’s still a prayer for God’s presence as we go through life, but Lang knew when he wrote it that it’s also a prayer for his mercy on that road, which we certainly need, both in the bright days and when our path leads us through “the darkness of the night.”

I appreciate Lang’s almost mystical sense of life in this song; in the context of an ancient Christian prayer, with the imagery of wind and fire which has been used of the Spirit of God going all the way back to the time of Moses, one can certainly understand it to refer to the work of the Spirit in our hearts, and the song as a prayer for his mercy as we seek to follow where he leads us.

My one quarrel here is the third line of the chorus: “Kyrie eleison—where I’m going will you follow?” I don’t think that really fits with the first line (“Kyrie eleison down the road that I must travel”), and taken by itself it gets matters exactly backwards; actually, when we start looking at things that way—”God, I’m going this way; are you coming?”—tends to be when we get into trouble (and thus need his mercy the most, of course). I suspect it was most likely meant to ask, “Are you going with me down this road you’re sending me on?” but that misses the fact that God doesn’t send us, he leads us. There have been times when I’ve sung this song, privately, as a prayer, but when I do, I reverse that third line: “where you lead me, I will follow.”That’s the orientation we need to have if we’re seeking to live under the mercy of God; his mercy isn’t simply something to which we appeal when we go wrong, but is in fact the light that guides us to go right.

Kyrie

Kyrie eleison
Kyrie eleison
Kyrie . . .

The wind blows hard against this mountainside,
Across the sea into my soul;
It reaches into where I cannot hide,
Setting my feet upon the road.

My heart is old, it holds my memories;
My body burns, a gemlike flame.
Somewhere between the soul and soft machine
Is where I find myself again.

Chorus:
Kyrie eleison down the road that I must travel;

Kyrie eleison through the darkness of the night.
Kyrie eleison—where I’m going will you follow?
Kyrie eleison on a highway in the light.

When I was young I thought of growing old—
Of what my life would mean to me;
Would I have followed down my chosen road,
Or only waste what I could be?

Chorus out

Words: John Lang; music: Richard Page and Steve George
© 1985 Ali-Aja Music/Indolent Sloth Music/Panola Park Music/WB Music Corp.
From the album Welcome to the Real World, by Mr. Mister

 

Three chords and a history book

Courtesy of JibJab, I’ve had this tune stuck in my head for days now; so I decided to post an annotated version. Note: most of the links are Wikipedia, but not all.

We Didn’t Start the Fire

Harry Truman, Doris Day, Red China, Johnnie Ray,
South Pacific, Walter Winchell, Joe DiMaggio,
Joe McCarthy, Richard Nixon, Studebaker, television,
North Korea, South Korea, Marilyn Monroe,

Rosenbergs, H-bomb, Sugar Ray, Panmunjeom,
Brando, The King and I, and The Catcher In The Rye,
Eisenhower, vaccine, England’s got a new queen,
Marciano, Liberace, Santayana goodbye . . .

Chorus:
We didn’t start the fire—
It was always burning
Since the world’s been turning.
We didn’t start the fire—
No, we didn’t light it,
But we tried to fight it.

Josef Stalin, Malenkov, Nasser, and Prokofiev,
Rockefeller, Campanella, Communist Bloc,
Roy Cohn, Juan Perón, Toscanini, Dacron,
Dien Bien Phu falls, Rock Around the Clock,

Einstein, James Dean, Brooklyn’s got a winning team,
Davy Crockett, Peter Pan, Elvis Presley, Disneyland,
Bardot, Budapest, Alabama, Khrushchev,
Princess Grace, Peyton Place, trouble in the Suez . . .

Chorus

Little Rock, Pasternak, Mickey Mantle, Kerouac,
Sputnik, Zhou Enlai, Bridge On The River Kwai,
Lebanon, Charles de Gaulle, California baseball,
Starkweather homicide, children of thalidomide,

Buddy Holly, Ben-Hur, space monkey, Mafia,
Hula hoops, Castro, Edsel is a no-go,
U-2, Syngman Rhee, payola and Kennedy,
Chubby Checker, Psycho, Belgians in the Congo . . .

Chorus

Hemingway, Eichmann, Stranger in a Strange Land,
Dylan, Berlin, Bay of Pigs invasion,
Lawrence of Arabia, British Beatlemania,
Ole Miss, John Glenn, Liston beats Patterson,
Pope Paul, Malcolm X, British politician sex,
J.F.K. blown away, what else do I have to say?!

Chorus

Birth control, Ho Chi Minh, Richard Nixon back again,
Moonshot, Woodstock, Watergate, punk rock,
Begin, Reagan, Palestine, terror on the airline,
Ayatollahs in Iran, Russians in Afghanistan,

Wheel of Fortune, Sally Ride, heavy metal, suicide,
Foreign debts, homeless vets, AIDS, crack, Bernie Goetz,
Hypodermics on the shore, China’s under martial law,
Rock-and-roller cola wars, I can’t take it anymore!

We didn’t start the fire—
It was always burning
Since the world’s been turning.
We didn’t start the fire—
But when we are gone,
It will still go on, and on, and on, and on, and on . . .

Words and music: Billy Joel
© 1989 Sony Music Entertainment Inc.
From the album 
Storm Front, by Billy Joel

The gospel according to Firefly

“Oh, but you did. You turn on any of my crew, you turn on me. But since that’s a concept you can’t seem to wrap your head around, then you got no place here.
You did it to me, Jayne. And that’s a fact.”
—Malcolm Reynolds to Jayne Cobb, “Ariel,” Episode 9, FireflyThis is from the crowning scene of perhaps the best of the handful of episodes we got of Firefly, one of the best scenes I’ve ever been fortunate enough to watch on TV. To explain this line to those not familiar with the show: during the episode, during a raid on an Alliance hospital, Jayne tried to sell out Simon and River Tam, the ship’s two fugitive passengers (Simon, a doctor, is also the ship’s medic, and the one who inspired the raid), to the Alliance. Unfortunately for him, the Alliance officials don’t honor the deal and he gets taken as well, at which point he starts fighting to save himself (and the Tams). They make it back to the ship, and Jayne thinks he’s gotten away with his attempted betrayal; but Mal’s too smart for him, resulting in this (note: there are a few errors in the captioning):

(For a transcript of the episode, go here.)I’ve always been struck by two things in this scene. The first is Mal’s statement to Jayne which I’ve quoted above, which is strikingly reminiscent of the words of Jesus in Matthew 25:40 (though Jayne did evil instead of good). The point is of course different, since Mal isn’t (and doesn’t claim to be) God—but it’s related. From Mal’s point of view, it isn’t enough to show loyalty to him alone: you have to be loyal as well to all those to whom he’s committed himself. Any violation of loyalty to any of them—any betrayal of the crew bond—is a betrayal which he takes personally, and which therefore brings inevitable judgment.The other is what saves Jayne: repentance, as evidenced by the stirring of shame. Jayne’s not much of one to be ashamed of anything—if you don’t count his reaction at the end of “Jaynestown,” the show’s seventh episode, this might be the first time in his life he’s felt shame—so this is a significant moment; and at that sign that Jayne is truly repentant, Mal spares his life (though he doesn’t let him out of the airlock right away—perhaps to encourage further self-examination on Jayne’s part). In the face of repentance, mercy triumphs over judgment.

Song of the Week

As I said last week, I’m on a bit of a Steve Taylor kick. For this one, I’ll let Taylor’s own words (in the booklet for the boxed set Now the Truth Can Be Told) explain my reason for posting it:

Ah, to have the Bible’s sense of balance.My goal with “A Principled Man” was to write a song that inspired me to live a principled life. The seed came from a “tree motif” in the Book of Psalms: “Blessed is the man who does not walk in the counsel of the wicked, or stand in the way of sinners, or sit in the seat of mockers. But his delight is in the law of the Lord, and in His law he meditates day and night. He is like a tree planted by streams of water . . .” (Psalms 1:1-3)But lest principles become an end unto themselves, we have in Ezekiel the dark side of the tree metaphor: “Therefore, this is what the sovereign Lord says: Because it towered on high, lifting its top above the thick foliage, and because it was proud of its height . . . I cast it aside.” (Ezekiel 31:10-11)This song still inspires me. May it continue to do so for all the right reasons.

A Principled Man

Under a flag they swore a bond;
Caught under fire they ran.
Are you the one standing your ground?
Are you a principled man?Followers fall, blinded by kings,
Lost in the lie of the land.
Are you the one sworn to be true?
Are you a principled man?Now . . . begin—come alongside it,
Seize the wind—come along, ride it.
One day it will be you believing
There is a principled man.Who goes there? Do you belong, lad?
You know there is a new dawn, and
One day to say, “Stick with me, baby,
I am a principled man.”
Many’s the man grounded by greed,
Leaning on power and land;
Show me the one lost in the stars—
Show me a principled man.ChorusBleeding and hushed, hung between thieves,
There the foundation began,
Are you the one taking your cross?
Are you a principled man?Words and music: Steve Taylor
© 1987 Soylent Tunes
From the album
I Predict 1990, by Steve Taylor

Thoughts on the nature of Christian faith

What people don’t realise is how much religion costs. They think faith is a big electric blanket, when of course it is the cross. It is much harder to believe than not to believe.

Flannery O’Connor

In his comments on the song inspired by this quote (video and lyrics below), Steve Taylor wrote,

The cost of discipleship—the ideal of taking up your cross everyday and following Jesus—makes it hard to believe, because Christianity demands things from us that we don’t naturally want to give. In the words of playwright Dennis Potter, “There is, in the end, no such thing as a simple faith.”

This is pure truth, at least as regards Christianity. In the broadest possible sense, believing is easy: everyone believes something, because we have to. We can’t ground our lives on reason alone, because a chain of reasoning requires a starting point; however far back you reason, that starting point recedes still further. We can’t use our reasoning to provide that starting point, because we’d end up with circular reasoning, however great the circle might be. Our reasoning has to begin from ultimate premises which we cannot prove—such as “There is a God,” or “There is no God”—but can only take as faith commitments. Once we’ve done that, we can interrogate those premises, and the conclusions we’ve drawn from them, and see if the whole thing is rationally consistent, if the beliefs we’ve developed are logically coherent with each other and accurately descriptive of the world as we know it; but we cannot remove the necessity of faith undergirding our reasoning. Indeed, even reasoning is in some sense an act of faith—faith in our ability to reason, and in the viability of reason itself. As St. Anselm put it, reason is faith seeking understanding.

That said, while believing something is easy, believing in Christ isn’t. Far from it, in fact. And this isn’t for the reasons atheists and others want to advance, about the problem of evil and the problem of miracles and suchlike; “scientific” objections like the latter are ultimately just assertions (no, science hasn’t disproved miracles, you just want to believe it has), while philosophical and existential objections ultimately tell against atheists just as much as Christians. (If you think evil is a problem for Christians, just stop and consider the problem it poses for atheists. It’s a different kind of problem, but no less real for all that.) I’ve known people whose decision to believe in Christ rested on logical argument, but very few; and I’ve never known anyone who was actually driven to atheism by reason. (Thus the philosopher Edward Tingley, comparing modern atheists unfavorably to Pascal, writes, “Agnostics are not skeptical, half the atheists are not logical, and the rest refuse to go where the evidence is.”)  Rather, in my experience, the main reason people choose not to believe in Christ is because they don’t want to. As Chesterton wryly observed,

The Christian ideal has not been tried and found wanting, it has been found difficult and left untried.

The reason for this is that the Christian faith isn’t designed to meet our “felt needs”; it isn’t, as so many atheists smugly assume, just a matter of believing what we want to believe. As Flannery O’Connor put it, it isn’t a big warm electric blanket, it’s the cross—and we don’t particularly want the cross. We don’t particularly want a God who calls us to deny ourselves and take up our cross (which, you remember, was an implement designed to torture people to death) and then has the gall to say, “My yoke is well-fitted and my burden is light.” We can’t get to the point where we want that until we realize that our needs go much, much deeper than what we feel on the surface; we can’t get to that point until we realize that the burden of taking up our cross is in fact light compared to the burden of our sin, and that Jesus’ yoke is indeed well-fitted, not to doing what we want to do, but to doing what we need to do. Getting there, however, isn’t easy; it’s far easier to turn aside and believe something else instead.

And before you start to object that the behavior of many Christians is another major reason why people turn away from faith, let me say that that’s just another example of the same problem: many of us in the church don’t want the cross either. Even for many within the church, it’s harder to believe than not to, and so it’s all too easy for us to choose not to. Instead, we find something else to believe in—a structure of behavioral rules, a set of political commitments, a system of how-tos for “the life you’ve always wanted”—and call that Christianity instead. The thing is, that kind of belief can build organizations, even big ones, and it can attract followers, even committed ones, and it can do a lot of things that impress this world—but what it can’t do is raise Christians. It takes a church to raise a Christian, and specifically, it takes a church that’s trying to be the church; and churches that take those kinds of approaches are trying to be something else. They are, essentially, counterfeit churches practicing counterfeit Christianity—and, in the process, stifling people who should be trading in slavery to sin for freedom in Christ, so that they wind up escaping one mold merely to be squeezed into another. Follow that out too far and you wind up with the kind of thing Taylor satirized when he wrote,

So now I see the whole design;
My church is an assembly line.
The parts are there—I’m feeling fine!
I want to be a clone!

You also wind up with the kind of church, and the kind of church member, that turns people away from Christianity, without those people ever realizing that it isn’t really Christianity they’re rejecting.

The bottom line here is that true Christian faith is not just intellectual assent to a series of propositions, nor is it a commitment to pursue what we consider to be good and helpful behaviors (though in some sense, both of those are involved): true Christian faith is a belief in a Person, and a commitment to follow that Person wherever he might lead us. To borrow from the old story about the Great Blondin, it’s not just a matter of agreeing that if we get in the wheelbarrow, he’ll be able to push us safely across his tightrope over Niagara Falls—it’s a matter of actually getting in the wheelbarrow and hanging on. It’s a whole-life commitment, giving everything we have to follow Jesus.

The great offense of the Christian life to us is that it’s not about us at all—it’s not about our goals, our desires, our felt needs, and how to get what we consider to be “our best life now”; it’s not about making us better able to go out and be our best selves, so that we can take the credit for what wonderful people we are. Rather, it’s about setting all that aside and casting ourselves on Jesus, living lives of radical abandonment to the grace of God, letting him have all the glory for what he does in and through us—and letting him decide what exactly that will be, and where, and when, and how. This is the only way to real life, but it isn’t easy; in fact, O’Connor and Taylor are right: it’s harder to believe than not to.

Harder to Believe than Not to

Nothing is colder than the winds of change
Where the chill numbs the dreamer till a shadow remains;
Among the ruins lies your tortured soul—
Was it lost there, or did your will surrender control?

Chorus:
Shivering with doubts that were left unattended,
So you toss away the cloak that you should have mended.
Don’t you know by now why the chosen are few?
It’s harder to believe than not to—
Harder to believe than not to.

It was a confidence that got you by,
When you knew you believed it, but you didn’t know why.
No one imagines it will come to this,
But it gets so hard when people don’t want to listen.

Chorus

Some stay paralyzed until they succumb;
Others do what they feel, but their senses are numb.
Some get trampled by the pious throng—
Still, they limp along.

Are you sturdy enough to move to the front?
Is it nods of approval or the truth that you want?
And if they call it a crutch, then you walk with pride;
Your accusers have always been afraid to go outside.

They shiver with doubts that were left unattended,
Then they toss away the cloak that they should have mended.
You know by now why the chosen are few:
It’s harder to believe than not to.

I believe.

Words and music: Steve Taylor
© 1987 Soylent Tunes
From the album
 I Predict 1990, by Steve Taylor

 

Have an honorable Memorial Day

This might be from a beer company, but it’s still right on. I grew up around the Navy, so I know our military’s far from perfect, but still: we should be proud of those who served, and those who are serving now; we as a nation owe them far more than we could ever repay, and we should never forget that.

Song of the Week

One of my very favorite songwriters is the Scottish folksinger Dougie MacLean; this isn’t his best-known song by any means (that would be “Caledonia”), but I think it’s the one I like best. This particular version benefits from the wonderful Kathy Mattea on backup vocals—they’re friends, and it was recorded during a joint studio session. (I’d wanted to post another video from the same session as well, of Mattea singing lead on Dougie’s song “Ready for the Storm,” but embedding is disabled on that one.)Turning Away

In darkness we do what we can;
In daylight we’re oblivion.
Our hears so raw and clear
Are turning away, turning away from here.
On the water we have walked
Like the fearless child;
What was fastened we’ve unlocked,
Revealing wondrous wild.
And in search of confirmation,
We have jumped into the fire
And scrambled with our burning feet
Through uncontrolled desire.ChorusThere’s a well upon the hill
From our ancient past,
Where an age is standing still,
Holding strong and fast.
And there’s those that try to tame it,
And to carve it into stone—
Ah, but words cannot extinguish it,
However hard they’re thrown.ChorusOn Loch Etive they have worked
With their highland dreams;
By Kilcrennan they have nourished
In the mountain streams.
And in searching for acceptance
They had given it away;
Only the children of their children
Know the price they had to pay.ChorusWords and music: Dougie MacLean
© 1991 Dunkeld Records
From the album
Indigenous, by Dougie MacLean

Doctrine in a nutshell (or two)

HT: Ray OrtlundAnd I never get tired of this song.Creed

I believe in God the Father,
Almighty Maker of Heaven and Maker of Earth,
And in Jesus Christ His only begotten Son, our Lord.
He was conceived by the Holy Spirit,
Born of the virgin Mary,
Suffered under Pontius Pilate
He was crucified and dead and buried.And I believe what I believe
Is what makes me what I am;
I did not make it, no, it is making me—
It is the very truth of God and not the invention of any man.
I believe that He who suffered was crucified, buried and dead;
He descended into Hell and on the third day, He rose again.
He ascended into Heaven where he sits at God’s mighty right hand.
I believe that He’s returning to judge the quick and the dead of the sons of men.ChorusI believe in God the Father,
Almighty Maker of Heaven and Maker of Earth,
And in Jesus Christ His only begotten Son, our Lord.
I believe in the Holy Spirit,
One Holy Church,
The communion of saints,
The forgiveness of sins,
I believe in the resurrection,
I believe in a life that never ends.ChorusWords and music: Rich Mullins/Beaker
© 1993 Edward Grant, Inc./Kid Brothers of St. Frank Publishing
From the album
a liturgy, a legacy, & a ragamuffin band, by Rich Mullins